Words and Wildflowers Creative Prompts – Issue 52

We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!

Here’s how it works:

We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:

• Just do the florals, just do the lettering, or combine them together.
• Use the provided quote for your piece or select your own.
• Use colors from one of the inspiration images or select your own favorites
• Create the floral art… as a still life in a vase, a single flower, a border, a pattern, a bouquet

Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy

Quote of the week…

“Creativity requires the courage to let go of certainty.” 

— Erich Fromm

Inspirational Art of the week: Mud huts in India

In various parts of India, particularly in rural areas, mud huts are often painted with intricate and colorful designs. These murals, often found in tribal communities, are a form of traditional art that reflects cultural identity and beliefs. The materials used for the huts and the paintings are typically natural and locally sourced. The paintings are created using natural pigments derived from minerals, plants, and other organic materials.

Hand lettering artist of the week: Yunizar

b. 1971, Talawi, West Sumatra, Indonesia. Lives and works in Indonesia 

Yunizar spent his formative years at the Indonesian Institute of Arts in Yogyakarta – a school of national pride in the heart of progressive art-making in Indonesia. Yunizar’s training reveals itself in his sophisticated expressive style, articulated through a playful composition and subtle palette. Executed primarily in acrylic and pencil, his works stand out in terms of texture, colour, brushwork and rhythm. A restrained palette of cool colours – yellows, browns and greens- is deliberately dirtied and smudged in his working and reworking of the canvas. The result is a highly tactile work that entices the viewer to feel the piece. 

Coretan, Yunizar’s solo exhibition at the National University of Singapore Museum in 2008 became the cornerstone of the artist’s signature style. The repetition and technique in scribbling marks a desire for meaning to be limitless in perspective. The spontaneous lines are a reflection of the artist’s inhibition with the constricting form both text and image sometimes takes. The works are composed of illegible scribbling in lines across the canvas, appearing as fragments of text that struggle to find form or intelligent representation. Working with limited colour, mostly monochromatic, his works reveal a play of lines and textures coming together to create clear rhythms and strong composition. The simplicity of visual elements within his works, according to Yunizar, is the result of a personal aesthetic judgment. He seeks beauty, especially in the trivial and in what is deemed by all else as useless and unimportant. To capture intuition and impulse, that is the great aim of the artist.