Posted on September 15, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Don’t you love people that are like a weird little secret door? You are not meant to live like the others. You are meant to live like yourself.”
—Vincent Van Gogh
Inspirational Artist of the week: Hisui Sugiura
Sugiura (杉浦 非水, Sugiura Hisui, May 15, 1876 – August 18, 1965) was a Japanese graphic designer who was a pioneer of modern Japanese graphic design.
ca39a…He went to Europe to study modern graphic design from 1922 to 1924. Having returned to Japan, he formed “Hichininsha,” a group to study posters, in 1925. He designed the poster of the Tokyo Metro Ginza Line opening to traffic in 1927. It can be said that his works during this period led the early stages of Japanese commercial design.
He became design department chief of Imperial School of Fine Arts (present Musashino Art University) in 1929. He is one of the founders of the Tama Teikoku Bijutsu Gakko (present Tama Art University) in 1935.




Hand lettering inspiration of the week: Luke Edward Hall
Luke Edward Hall is an English artist, designer and columnist. Luke’s philosophy is shaped by his love of storytelling and fantasy. His colourful work is often inspired by history, filtered through a lens of irreverent romanticism.
Luke established his studio in the autumn of 2015 and since then has continuously split his time working on a broad range of projects and across multiple disciplines. He exhibits his drawings and paintings internationally with Athens-based gallery The Breeder, and works as an interior designer, creating and art directing hotels, bars and restaurants. In 2020 Luke’s first large project opened in Paris: a thirty-eight-bedroom hotel and bistro in the city’s 10th arrondissement.
Luke is the Creative Director of Chateau Orlando, a new fashion and homewares brand, which he co-founded in 2022. Chateau Orlando is based between Milan and London, and manufactures its collections in the Veneto region of Italy.
Luke collaborates with a variety of companies and historic institutions, often creating limited edition collections of clothing, homewares and accessories. He produces porcelain and home fragrance ranges with Ginori 1735, a collection of interior fabrics with Rubelli, and furniture with The Lacquer Company. His previous clients include Burberry, Lanvin, Svenskt Tenn, Diptyque, Christie’s, Royal Academy of Arts, and the V&A.
In March 2019 Luke joined the Financial Times as a columnist in FT Weekend, answering readers’ questions on interior design and living well. Luke has authored three books: Greco Disco: The Art & Design of Luke Edward Hall, published by teNeues, A Kind of Magic: The Kaleidoscopic World of Luke Edward Hall, published by Vendome, and 300,000 Kisses: Tales of Queer Love from the Ancient World, published by Penguin.




Posted on September 1, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Thank your body in all ways. It is a highly tuned instrument of ancient, electric brilliance deserving of deep daily love.”
— Victoria Erickson (Author, Edge of Wonder)
Inspirational Artist of the week: Kaffe Fasset
Frank Havrah “Kaffe” Fassett, MBE (born December 7, 1937) is an American-born, British-based artist who is best known for his colourful designs in the decorative arts—needlepoint, patchwork, knitting, painting and ceramics.While still a child, Fassett renamed himself after an Egyptian boy character from the book Boy of the Pyramid by Ruth Fosdick Jones. His name rhymes with ‘safe asset’.
The second of five children, Fassett was born on December 7, 1937, in San Francisco, California,to parents William and Madeleine, who built the successful Nepenthe in Big Sur, California. He is the great-grandson of the wealthy businessman, lawyer and United States Congressman Jacob Sloat Fassett, and it was his great-great grandparents who founded the Crocker Art Museum in Sacramento, California. He received a scholarship to the School of the Museum of Fine Arts, Boston at the age of 19, but shortly left school to paint in London and moved there to live in 1964.






Hand lettering inspiration of the week: English Delftware
English Delftware originated in the 16th century when Italian immigrants brought tin-glazing techniques to the Low Countries and then to England, primarily through Antwerp, Belgium. Antwerp potters, such as Jasper Andries and Jacob Jansen, later established production in Norwich, England, around 1567, spreading the craft to London and other centers. Initially known as “galleyware,” the production of tin-glazed earthenware was named “Delftware” after the Dutch city of Delft, a major producer of the style, by the early 18th century.






Posted on August 25, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Because of the routines we follow, we often forget that life is an ongoing adventure… Life is pure adventure, and the sooner we realize that, the quicker we will be able to treat life as art: to bring all our energies to each encounter, to remain flexible enough to notice and admit when what we expected to happen did not happen. We need to remember that we are created creative and can invent new scenarios as frequently as they are needed.”
— Maya Angelou
Inspirational Artist of the week: Alice Temperley
Alice Temperley, born on July 22, 1975, is a renowned British fashion designer known for her brand, Temperley London. She is celebrated for her feminine, handcrafted designs, often featuring intricate embroidery and beading. Temperley’s designs have garnered attention from celebrities and royalty alike, including Kate Middleton, Beyoncé, and Penelope Cruz. Temperley’s journey in fashion began with a childhood fascination with clothing and design, growing up on her family’s cider farm in Somerset. She honed her skills at prestigious institutions like Central Saint Martins and the Royal College of Art. In 2000, she launched Temperley London, which has since grown into a globally recognized brand. Temperley’s contributions to the fashion industry have been recognized with numerous accolades, including an MBE (Member of the Order of the British Empire) in 2011 for her services to fashion. Her brand encompasses various lines, including Temperley London, Alice by Temperley, and Temperley Bridal. She continues to be a leading figure in the British fashion scene, known for her dedication to craftsmanship, attention to detail, and romantic aesthetic.






Hand lettering inspiration of the week:
I collect vintage spelling and penmanship books. I LOVE THEM. Cursive is becoming a lost art. I vote for more hand written snail mail, old school letters!!!




Posted on August 18, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Instructions for living a life: Pay attention. Be astonished. Tell about it.”
—Mary Oliver
Inspirational artist of the week: Henry Darger
Henry Joseph Darger Jr. April 12, 1892 – April 13, 1973) was an American janitor and hospital worker who became known after his death for his immense body of outsider art—art by self-taught creators outside the mainstream art community.
Darger was raised by his disabled father in Chicago. Frequently in fights, he was put into a charity home as his father’s health declined, and in 1904 was sent to a children’s asylum. He began making escape attempts after his father’s death in 1908, and in 1910 was able to escape, walking much of the way to Chicago. As an adult he did menial jobs for several hospitals, interrupted by a brief stint in the U.S. Army during World War I. He spent much of his life in poverty and in later life was a recluse in his apartment. A devout Catholic, Darger attended Mass multiple times per day and collected religious memorabilia. Retiring in 1963 due to chronic pain, he was moved into a charity nursing home in late 1972, shortly before his death. During this move, his landlord Nathan Lerner discovered his artwork and writings, which he had kept secret over decades of work.
From around 1910 to 1930, Darger wrote the 15,145 page novel In The Realms of the Unreal, centered on a rebellion of child slaves on a fantastical planet. The Vivian Sisters, the seven princesses of Abbeiannia, fight on behalf of the Christian nations against the enslaving Glandelinians. Inspired by the American Civil War and martyrdom stories, it features gruesome descriptions of battles, many ending with the mass killing of rebel children. Between 1912 and 1925, Darger began producing accompanying collages, often only loosely correlated to the book. Later he made watercolors with traced or overpainted figures taken from magazines and children’s books. These grew more elaborate over time, with some of his largest works approaching 10 feet (3 m) in length. Little girls, often in combat, are a primary focus of his work; for unknown reasons, they are frequently depicted naked and exclusively with male genitalia. Other writings by Darger include a roughly 8,000-page unfinished sequel to In The Realms of the Unreal entitled Further Adventures of the Vivian Girls in Chicago, a decade-long daily weather journal, and The History of My Life—consisting of a 206 page autobiography followed by 4,600 pages detailing a fictional tornado named “Sweetie Pie”.
Darger’s work was unknown to others until after his death, leading to his association with the outsider art movement.






Hand lettering artist of the week: Edward Gorey
When Tom Fitzharris met Edward “Ted” Gorey in 1974, the two quickly struck up a friendship. Over the next year Gorey sent a total of fifty letters to Fitzharris. Every envelope Fitzharris received was illustrated by Gorey, and filled with surprises: typewritten letters with news and opinions from Gorey’s life, handwritten note cards with unexpected quotes, sketches, inside jokes, and a host of other joyous miscellany.






Posted on August 11, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“The world is full of magic things, patiently waiting for our senses to grow sharper.”
— W.B. Yeats
Inspirational artist of the week: Cornelia O’Donovan
Cornelia O’Donovan was born in 1981, and trained at the Royal College of Art, London.
O’Donovan plays with old folklore and poetry, but in a loose and dreamlike way. She draws particularly on tales native to the British Isles, and especially Celtic poetry and myth – from the tale of Prince Llewellyn’s grief at the sacrifice of his greyhound Gellert, to the figurative ballads of Ellen O’Leary and lines from WB Yeats.
Her paintings are flat, stripped of all perspective or realism, their surfaces hazy and meandering like an old tale retold a thousand times. Roughly rendered yet delicately arranged, she creates patterned compositions reminiscent of old tapestries, into which she plants naïve pre-Modern motifs. Outlines of old figures, ancient heralds, esoteric herbs and familiar animals all appear like inherited objects worn smooth by the touch of innumerable hands.
They retain the homespun quality of medieval rustic artworks, flowing across the canvas like a stroll through a country garden.







Hand lettering artist of the week: David Schmitt
David Schmitt, born on March 11, 1994 in Bamberg, Germany is a self-taught painter and printmaker. After studying Graphic Design at the University of Applied Sciences in Augsburg he moved to Barcelona to pursue his career as an artist. In his work, he combines an archaic and childlike aesthetic with bold visual presence and commentary, highlighting texture and rough shapes to capture a timeless simplicity.
“I have always been drawn to a certain aspect of storytelling in painting, I think of it as a crossover between Folk-, Pop-, and Cave-art so for me it feels deeply human. There is so much beauty and truth to be found in traditional craftsmanship and old tales of folklore. I hope that we can continue to maintain our appreciation for the involvement of the human hand and mind with all its imperfections as preserving these practices means preserving the soul in the world that surrounds us.”






Posted on August 4, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Let us come alive to the splendor that is all around us and see the beauty in ordinary things.”
— Thomas Merton
Inspiring artist of the week: Petra Börner
Petra Börner (b. 1973) is an award-winning artist based in London, building her artistic universe with a signature line. Translating ideas into series, paired or mirrored artworks; repetition, movement and energy is ever-present in her practice.
Obsessed by exploring methods and materials in new contexts; intuitive work also transform into animation, prints, patterns and take sculptural form; all playful to the eye. Often inspired by natural themes, her Swedish roots ingrained in her intimate work.
With over twenty years of expertise collaborating with a world wide clientele, paired with a unique ability to successfully combine her signature line with tailored projects, she creates timeless, yet eye- catching design.






Hand lettering inspiration of the week: Allen Crawford
Allen Crawford is a graphic artist, naturalist, and author. He’s worked on a broad range of independent projects over the course of his career, including advertising campaigns, editorial illustrations, animations, videos, packaging, product design, logos, identity systems, typefaces, and books.
He and his wife Susan Crawford founded Plankton Art Company in 1996. They work independently in their own distinct styles, but they occasionally team up on larger projects. Their shared background in biology and conservation has enabled them to work with many prestigious science and education-based institutions. Their most notable joint project to date is their set of identification key illustrations for the American Museum of Natural History in New York. The 400 illustrations of corals, invertebrates, crustaceans, fish, and mammals have been on permanent display in the famous Milstein Hall of Ocean Life for over twenty years.
Allen is currently a part-time trail steward for the New Jersey Park Service and has recently received his wildland firefighter certification from the NJ Forest Fire Service. He is also a member of NJ Fish and Wildlife’s Venomous Snake Response Team.






Posted on July 28, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Laughter is timeless. Imagination has no age. And dreams are forever.”
– Walt Disney
Inspiring artist of the week: Maria Prymachenko
Maria Prymachenko was born in 1909 into an artistically talented rural family in the village of Bolotnia. Her mother did embroidery, her father was a carpenter, and her grandmother painted Easter eggs. Just like another outstanding female artist—the surrealist painter Frida Kahlo—Prymachenko suffered from polio as a child, and she also wore long, hand-embroidered skirts to conceal her paralyzed leg.
She learned to draw, paint, and embroider at home. Even though she never acquired any artistic qualifications and had just four years of primary education, she became a professional embroiderer at the turn of the 1920s and 1930s. For the next few years, she worked in nearby Ivankiv until her talents were discovered in 1935 by Tetiana Floru, a textile artist and embroiderer linked to the Ukrainian Folk Decorative Art Museum in Kyiv. Some say she was impressed by Prymachenko’s embroidered shirts on sale at an Ivankiv market. Others claim that Floru was sent out by the Soviet authorities (initially, USSR cultural policy welcomed naïve folk art) to travel around the villages in search of folk artists and was enchanted by Maria’s embroidery on display at a cultural center.






Hand lettering inspiration of the week: Rolly Crump
Rolly Crump was born in Alhambra, California, and joined Walt Disney Studios in 1952. Initially he worked on inbetweening, before becoming an assistant animator on movies including Peter Pan, Lady and the Tramp, Sleeping Beauty, and One Hundred and One Dalmatians. In 1959 he joined WED Enterprises (later Walt Disney Imagineering) and became a designer of some of Disneyland’s attractions and shops, including The Haunted Mansion, Enchanted Tiki Room and Adventureland Bazaar.As well as his work at Disney, he designed innovative and satirical psychedelic posters in the early and mid 1960s, including several for the West Coast Pop Art Experimental Band as well as logos for the band’s singer Bob Marley. He also designed guitar string packaging for Ernie Ball.
He was responsible for designing many of the Disney attractions at the 1964 New York World’s Fair, including It’s a Small World, and its Tower of the Four Winds marquee. In 1966, when the attraction moved to Disneyland, he designed the large animated clock at the entrance that sends puppet children on a parade.
He contributed to early designs of the Magic Kingdom at Walt Disney World in Florida, and worked on designs for NBC’s Disney on Parade in 1970, before leaving Disney to work on outside projects including Busch Gardens, the ABC Wildlife Preserve in Maryland, and Ringling Brothers & Barnum and Bailey Circus World. In 1975, Knott’s Berry Farm opened Knott’s Bear-y Tales, a dark ride designed by Crump.In 1976 he returned to work for Disney, designing the Land and Wonders of Life pavilions at the Epcot Center, before leaving again in 1981 to design the proposed Cousteau Ocean Center in Norfolk, Virginia, and to set up his own business, the Mariposa Design Group, which developed projects in Oman, Las Vegas, Denver and elsewhere. Crump finally returned to Disney in 1992 as executive designer at Imagineering, working on EPCOT Center.
He retired from Disney in 1996, and published an autobiography It’s Kind of a Cute Story in 2012.






Posted on July 21, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Play is the highest form of research.”
— Albert Einstein
Inspirational Artist of the week… Isabella Ducrot
Isabella Ducrot (b. 1931, Naples, Italy) is an artist and writer with a career spanning four decades. Ducrot’s oeuvre is deeply rooted in an extraordinary and enduring interest in fabrics, that is central to both her pictorial works and writings. Sourced during extensive travels over the course of her life, Ducrot has amassed an exquisite collection of fabric that spans centuries and bear origins from across Asia and Eastern Europe – including Russia, Turkey, China, India and Tibet. She considers these fabrics as an art form in and of themselves, to which she has dedicated herself to many years of focused study and views essential to her education. Employing diverse media – including pencil, pastel, ink and watercolor, which she applies to rare papers – her works compress an array of cultural references, ranging from philosophy to folklore and textile weaving. At both intimate and expansive scales, her work reflects a fascination with repetition, form, and color, informed by the rare textiles in her collection. Ducrot’s work was the subject of a recent solo exhibition, Profusione at le Consortium Museum, Dijon and her installation, titled Big Aura was featured at the Dior Haute Couture SS 2024 runway show at the Musee Rodin, Paris. Ducrot has presented solo exhibitions at Petzel Gallery, New York, Gisela Capitain, Cologne, Sadie Coles, London and Standard (Oslo), Oslo. Ducrot lives and works in Rome.










Handlettering artist of the week: Valeria Molinari
Valeria Molinari (she/they) is a multidisciplinary creative from Venezuela, with a diverse practice that includes textile work, video installation, editorial illustration, art direction and community organizing. Experimenting with different mediums is one of her favourite things in the world. For the past roughly ten years, a lot of her work has existed in the cross between art and activism, dealing with the language surrounding feminism. Using fibers as her base medium, she likes to incorporate calligraphy and hand lettering to display her messages. Her practice involves self-examination and research, trying to remind the viewer about the power of words, of concepts, phrases, and lines that have been unquestioned by people for generations, helping to perpetuate thoughts and behaviors around gender, class, race, and sexuality.





Posted on July 14, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Maybe we can release the birds from our chests and chase them straight into the lives we’ve always held inside us anyway.”
— Victoria Erickson
Inspirational Artist of the week: Peggi Kroll-Roberts
Award-winning artist Peggi Kroll-Roberts was trained at Arizona State University and the Art Center College of Design in Pasadena, CA.
Peggi worked as a fashion and advertising illustrator before transitioning to fine art. Her artworks are featured in the Laguna Beach Art Museum and the Pasadena Historical Museum.
Using intense color and value to accentuate her subject, she moved into fine art with a bold palette, a love for small paintings and a very loose style that achieves a lot with a few very energetic brush strokes. She prefers to suggest reality rather than render it.
Peggi paints animated figures, and breaks away from conventional still life with playful paintings of everyday scenes: cosmetics, the occasional coffee cup or slab of butter. Peggi’s work gives us a new appreciation of daily life.
Peggi’s realist impressionist and expressionist styles are striking, and she has won multiple fine art and plein air awards in addition to the Blackwell prize in painting.




Hand lettering inspiration of the week: Margo Chase…
who I once hung out with for a day YEARS AGO…and when researching her… found out that she died in a plane crash while piloting at age 59. SO sad to hear this.
Margo Chase (February 20, 1958 – July 22, 2017) was an American graphic designer known for her eclectic and experimental design style. Chase was prolific – with a career bridging the graphic design field’s transition from the analog to the digital era, working with clients ranging from Selena and Prince to Mattel and Procter & Gamble.
With a portfolio of medical illustrations, Chase found work at a small advertising firm in Long Beach, designing packaging for the Ralph’s grocery store chain. She was soon hired away by Rosebud Books to design a series of tourist guidebooks. During this time, Chase met Laura LaPuma, who would go on to give her her first album cover design job at Warner Brothers Records. As she accumulated more design work, Chase set up an office in her Silverlake home, hiring Nancy Ogami and studio manager Robert Short to assist in servicing clients such as Geffen Records, Virgin Records, and others.
Chase designed logos for Prince’s Lovesexy, as well as his Paisley Park production company. Attracting enough positive attention, she was asked to design the logo – and eventually the packaging – for Madonna’s 1989 album Like a Prayer. This opened the door for other high-profile projects such as Cher’s Love Hurts, the poster campaign for 1992’s Bram Stoker’s Dracula, and others.
Chase’s work from this period of her career was quite distinct, taking inspiration from a wide variety of sources – calligraphy, illuminated manuscripts, and medieval architecture – leading publications to refer to her as the “Queen of Goth.” Wary of being aesthetically pigeonholed, she took on work for linen manufacturer Matteo. What initially began as a logo and stationary design project morphed into full-blown textile and product design. During this time, Chase expanded her studio – hiring designer Terry Stone to help her launch into motion picture titles, as well as market her typographic work as a separate venture called “Gravy Fonts.” After working with clients across the entertainment industry, Chase decided that she was a print designer at heart and turned her attention to packaging design, stating, “What I like about designing print or packaging is that when the job is finished there is something physical to show for it – it’s timeless. With the broadcast work, once it’s been seen, it’s already old.”






Posted on July 7, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Creativity requires the courage to let go of certainty.”
— Erich Fromm
Inspirational Art of the week: Mud huts in India
In various parts of India, particularly in rural areas, mud huts are often painted with intricate and colorful designs. These murals, often found in tribal communities, are a form of traditional art that reflects cultural identity and beliefs. The materials used for the huts and the paintings are typically natural and locally sourced. The paintings are created using natural pigments derived from minerals, plants, and other organic materials.






Hand lettering artist of the week: Yunizar
b. 1971, Talawi, West Sumatra, Indonesia. Lives and works in Indonesia
Yunizar spent his formative years at the Indonesian Institute of Arts in Yogyakarta – a school of national pride in the heart of progressive art-making in Indonesia. Yunizar’s training reveals itself in his sophisticated expressive style, articulated through a playful composition and subtle palette. Executed primarily in acrylic and pencil, his works stand out in terms of texture, colour, brushwork and rhythm. A restrained palette of cool colours – yellows, browns and greens- is deliberately dirtied and smudged in his working and reworking of the canvas. The result is a highly tactile work that entices the viewer to feel the piece.
Coretan, Yunizar’s solo exhibition at the National University of Singapore Museum in 2008 became the cornerstone of the artist’s signature style. The repetition and technique in scribbling marks a desire for meaning to be limitless in perspective. The spontaneous lines are a reflection of the artist’s inhibition with the constricting form both text and image sometimes takes. The works are composed of illegible scribbling in lines across the canvas, appearing as fragments of text that struggle to find form or intelligent representation. Working with limited colour, mostly monochromatic, his works reveal a play of lines and textures coming together to create clear rhythms and strong composition. The simplicity of visual elements within his works, according to Yunizar, is the result of a personal aesthetic judgment. He seeks beauty, especially in the trivial and in what is deemed by all else as useless and unimportant. To capture intuition and impulse, that is the great aim of the artist.





