Posted on August 4, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Let us come alive to the splendor that is all around us and see the beauty in ordinary things.”
— Thomas Merton
Inspiring artist of the week: Petra Börner
Petra Börner (b. 1973) is an award-winning artist based in London, building her artistic universe with a signature line. Translating ideas into series, paired or mirrored artworks; repetition, movement and energy is ever-present in her practice.
Obsessed by exploring methods and materials in new contexts; intuitive work also transform into animation, prints, patterns and take sculptural form; all playful to the eye. Often inspired by natural themes, her Swedish roots ingrained in her intimate work.
With over twenty years of expertise collaborating with a world wide clientele, paired with a unique ability to successfully combine her signature line with tailored projects, she creates timeless, yet eye- catching design.






Hand lettering inspiration of the week: Allen Crawford
Allen Crawford is a graphic artist, naturalist, and author. He’s worked on a broad range of independent projects over the course of his career, including advertising campaigns, editorial illustrations, animations, videos, packaging, product design, logos, identity systems, typefaces, and books.
He and his wife Susan Crawford founded Plankton Art Company in 1996. They work independently in their own distinct styles, but they occasionally team up on larger projects. Their shared background in biology and conservation has enabled them to work with many prestigious science and education-based institutions. Their most notable joint project to date is their set of identification key illustrations for the American Museum of Natural History in New York. The 400 illustrations of corals, invertebrates, crustaceans, fish, and mammals have been on permanent display in the famous Milstein Hall of Ocean Life for over twenty years.
Allen is currently a part-time trail steward for the New Jersey Park Service and has recently received his wildland firefighter certification from the NJ Forest Fire Service. He is also a member of NJ Fish and Wildlife’s Venomous Snake Response Team.






Posted on July 21, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Play is the highest form of research.”
— Albert Einstein
Inspirational Artist of the week… Isabella Ducrot
Isabella Ducrot (b. 1931, Naples, Italy) is an artist and writer with a career spanning four decades. Ducrot’s oeuvre is deeply rooted in an extraordinary and enduring interest in fabrics, that is central to both her pictorial works and writings. Sourced during extensive travels over the course of her life, Ducrot has amassed an exquisite collection of fabric that spans centuries and bear origins from across Asia and Eastern Europe – including Russia, Turkey, China, India and Tibet. She considers these fabrics as an art form in and of themselves, to which she has dedicated herself to many years of focused study and views essential to her education. Employing diverse media – including pencil, pastel, ink and watercolor, which she applies to rare papers – her works compress an array of cultural references, ranging from philosophy to folklore and textile weaving. At both intimate and expansive scales, her work reflects a fascination with repetition, form, and color, informed by the rare textiles in her collection. Ducrot’s work was the subject of a recent solo exhibition, Profusione at le Consortium Museum, Dijon and her installation, titled Big Aura was featured at the Dior Haute Couture SS 2024 runway show at the Musee Rodin, Paris. Ducrot has presented solo exhibitions at Petzel Gallery, New York, Gisela Capitain, Cologne, Sadie Coles, London and Standard (Oslo), Oslo. Ducrot lives and works in Rome.










Handlettering artist of the week: Valeria Molinari
Valeria Molinari (she/they) is a multidisciplinary creative from Venezuela, with a diverse practice that includes textile work, video installation, editorial illustration, art direction and community organizing. Experimenting with different mediums is one of her favourite things in the world. For the past roughly ten years, a lot of her work has existed in the cross between art and activism, dealing with the language surrounding feminism. Using fibers as her base medium, she likes to incorporate calligraphy and hand lettering to display her messages. Her practice involves self-examination and research, trying to remind the viewer about the power of words, of concepts, phrases, and lines that have been unquestioned by people for generations, helping to perpetuate thoughts and behaviors around gender, class, race, and sexuality.





Posted on July 14, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Maybe we can release the birds from our chests and chase them straight into the lives we’ve always held inside us anyway.”
— Victoria Erickson
Inspirational Artist of the week: Peggi Kroll-Roberts
Award-winning artist Peggi Kroll-Roberts was trained at Arizona State University and the Art Center College of Design in Pasadena, CA.
Peggi worked as a fashion and advertising illustrator before transitioning to fine art. Her artworks are featured in the Laguna Beach Art Museum and the Pasadena Historical Museum.
Using intense color and value to accentuate her subject, she moved into fine art with a bold palette, a love for small paintings and a very loose style that achieves a lot with a few very energetic brush strokes. She prefers to suggest reality rather than render it.
Peggi paints animated figures, and breaks away from conventional still life with playful paintings of everyday scenes: cosmetics, the occasional coffee cup or slab of butter. Peggi’s work gives us a new appreciation of daily life.
Peggi’s realist impressionist and expressionist styles are striking, and she has won multiple fine art and plein air awards in addition to the Blackwell prize in painting.




Hand lettering inspiration of the week: Margo Chase…
who I once hung out with for a day YEARS AGO…and when researching her… found out that she died in a plane crash while piloting at age 59. SO sad to hear this.
Margo Chase (February 20, 1958 – July 22, 2017) was an American graphic designer known for her eclectic and experimental design style. Chase was prolific – with a career bridging the graphic design field’s transition from the analog to the digital era, working with clients ranging from Selena and Prince to Mattel and Procter & Gamble.
With a portfolio of medical illustrations, Chase found work at a small advertising firm in Long Beach, designing packaging for the Ralph’s grocery store chain. She was soon hired away by Rosebud Books to design a series of tourist guidebooks. During this time, Chase met Laura LaPuma, who would go on to give her her first album cover design job at Warner Brothers Records. As she accumulated more design work, Chase set up an office in her Silverlake home, hiring Nancy Ogami and studio manager Robert Short to assist in servicing clients such as Geffen Records, Virgin Records, and others.
Chase designed logos for Prince’s Lovesexy, as well as his Paisley Park production company. Attracting enough positive attention, she was asked to design the logo – and eventually the packaging – for Madonna’s 1989 album Like a Prayer. This opened the door for other high-profile projects such as Cher’s Love Hurts, the poster campaign for 1992’s Bram Stoker’s Dracula, and others.
Chase’s work from this period of her career was quite distinct, taking inspiration from a wide variety of sources – calligraphy, illuminated manuscripts, and medieval architecture – leading publications to refer to her as the “Queen of Goth.” Wary of being aesthetically pigeonholed, she took on work for linen manufacturer Matteo. What initially began as a logo and stationary design project morphed into full-blown textile and product design. During this time, Chase expanded her studio – hiring designer Terry Stone to help her launch into motion picture titles, as well as market her typographic work as a separate venture called “Gravy Fonts.” After working with clients across the entertainment industry, Chase decided that she was a print designer at heart and turned her attention to packaging design, stating, “What I like about designing print or packaging is that when the job is finished there is something physical to show for it – it’s timeless. With the broadcast work, once it’s been seen, it’s already old.”






Posted on July 7, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Creativity requires the courage to let go of certainty.”
— Erich Fromm
Inspirational Art of the week: Mud huts in India
In various parts of India, particularly in rural areas, mud huts are often painted with intricate and colorful designs. These murals, often found in tribal communities, are a form of traditional art that reflects cultural identity and beliefs. The materials used for the huts and the paintings are typically natural and locally sourced. The paintings are created using natural pigments derived from minerals, plants, and other organic materials.






Hand lettering artist of the week: Yunizar
b. 1971, Talawi, West Sumatra, Indonesia. Lives and works in Indonesia
Yunizar spent his formative years at the Indonesian Institute of Arts in Yogyakarta – a school of national pride in the heart of progressive art-making in Indonesia. Yunizar’s training reveals itself in his sophisticated expressive style, articulated through a playful composition and subtle palette. Executed primarily in acrylic and pencil, his works stand out in terms of texture, colour, brushwork and rhythm. A restrained palette of cool colours – yellows, browns and greens- is deliberately dirtied and smudged in his working and reworking of the canvas. The result is a highly tactile work that entices the viewer to feel the piece.
Coretan, Yunizar’s solo exhibition at the National University of Singapore Museum in 2008 became the cornerstone of the artist’s signature style. The repetition and technique in scribbling marks a desire for meaning to be limitless in perspective. The spontaneous lines are a reflection of the artist’s inhibition with the constricting form both text and image sometimes takes. The works are composed of illegible scribbling in lines across the canvas, appearing as fragments of text that struggle to find form or intelligent representation. Working with limited colour, mostly monochromatic, his works reveal a play of lines and textures coming together to create clear rhythms and strong composition. The simplicity of visual elements within his works, according to Yunizar, is the result of a personal aesthetic judgment. He seeks beauty, especially in the trivial and in what is deemed by all else as useless and unimportant. To capture intuition and impulse, that is the great aim of the artist.






Posted on June 30, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
The secret to living well and longer is: eat half, walk double, laugh triple and love without measure.
— Tibetan Proverb
Hand lettering inspiration of the week: Margaret Kilgallen
Margaret Leisha Kilgallen (October 28, 1967 – June 26, 2001) was a San Francisco Bay Area artist who combined graffiti art, painting, and installation art. Though a contemporary artist, her work showed a strong influence from folk art. She was considered a central figure in the Bay Area Mission School art movement.




Inspirational Artist of the week: Donald Baechler
Donald Baechler (b. 1956 – d. 2022) emerged in the 1980s as part of New York City’s East Village art scene alongside such luminaries as Jean-Michel Basquiat, Keith Haring, and Kenny Scharf. Born in Hartford, Connecticut, Baechler studied at the Maryland Institute College of Art in Baltimore, then Cooper Union in New York City. To briefly escape New York of the late ’70s, he took up an invitation from German exchange students to visit their homeland, where he then spent much of 1978 and ’79 studying at the Städelschule in Frankfurt. There Baechler witnessed neo-expressionism taking hold in what became loosely known as the Neue Wilde movement, which featured German painters disinterested in the dominant forms of conceptualism and minimalism.
Returning to the United States, Baechler honed his version of graphic, neo-expressive painting paired with flashes of Pop Art, American folk art, and children’s drawings. With Baechler back in New York, the early ’80s saw his first major solo shows in New York and abroad as he continued to explore brightly colored and thickly outlined foreground images—often flowers, faces, skulls, animals, and ice cream cones—painted over heavily textured collages sourced from scattered ephemera. Baechler cited Giotto, Robert Rauschenberg, Joseph Kosuth, and especially Cy Twombly as major influences.
Furthering what he called his “education in public,” Baechler eventually began showing playful bronze statues of flowerpots and large-scale figures in stride. Overpainting, erasure, and intense editing—not to mention a lighthearted sense of humor—remained key to his process thoughout his career. “I’m an abstract artist before anything else,” he has said. “For me, it’s always been more about line, form, balance, and the edge of the canvas—all these silly formalist concerns—than it has been about subject matter or narrative or politics.”





Posted on June 23, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Kindness isn’t a weakness — it is a very potent strength.”
-Steve Carrell
Inspirational artist of the week: Isobel Harvey
Isobel Harvey is a London-based artist who works across multiple mediums, including paintings, textiles and ceramics.
Isobel Harvey grew up in a house full of books about birds and bird-related artworks. The sculptures her dad made were mostly modelled on birds and binoculars, and he’d always point out different species when they went on walks.With both her parents immersed in art and nature, Isobel’s creative journey and focus were shaped early on. Now a full-time painter, her work heavily features abstract bird motifs alongside other animals, expressed in striking and vibrant shades. “Birds and fish lend themselves nicely to being interpreted because they’re so colour and pattern-heavy in their thousands of species.”
In addition to her rich use of colour, there is also a sense of texture across Isobel’s work which brings her subjects to life. A lot of her ideas come from constructing and deconstructing a painting. When it doesn’t go to plan, she simply paints over what she has done. And that creates tactile layers. Her aim for her paintings is for them to be very texture-heavy.Though the process is largely intuitive, she credits folk art and ancient Egyptian paintings as inspiration for her forms.





Handlettering inspiration of the week: Tony Fitzpatrick
Tony Fitzpatrick is a Chicago-based artist best known for his multimedia collages, printmaking, paintings, and drawings. Fitzpatrick’s work are inspired by Chicago street culture, cities he has traveled to, children’s books, tattoo designs, and folk art. Fitzpatrick has authored or illustrated eight books of art and poetry, and, for the last two years has written a column for the Newcity. Fitzpatrick’s art appears in the Museum of Modern Art in New York City, the Museum of Contemporary Art in Chicago, and the National Museum of American Art in Washington, DC. The Neville Brothers’ album Yellow Moon and the Steve Earle’s albums El Corazon and The Revolution Starts Now also feature Fitzpatrick’s art. In 1992, Fitzpatrick opened a Chicago-based printmaking studio, Big Cat Press, which exists today as the artist exhibition space Firecats Projects. Before making a living as an artist, Fitzpatrick worked as a radio host, bartender, boxer, construction worker, and film and stage actor.




Posted on June 9, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“We should really love each other in peace and harmony, instead we’re fussing and fighting.”
-Bob Marley
Inspiring artist of the week… Rex Ray
REX RAY (Sept. 11, 1956—Feb. 9, 2015) was an American artist best known for his innovative pop aesthetic in fine and commercial art—on canvases, wood panels, album covers, paper, book jackets, murals, and rock and roll posters. Born in Landstuhl, Germany in 1956, Michael Patterson was raised in Colorado Springs. Before moving to San Francisco in 1981, Patterson, inspired by Andy Warhol, adopted the moniker Rex Ray. He attended the San Francisco Art Institute where he studied with Sam Tchakalian, Kathy Acker, and Angela Davis, and received his BFA in 1989. He became a major force in the Bay Area’s art, literary, and activist communities. Ray was one of the first artists to use Mac-based technologies in the creative process to generate art and graphics. His early designs include: the first graphics for the San Francisco chapter of Act Up; many guerilla marketing flyers and posters for queer nightclubs; and numerous book covers for City Lights Books and HIGH RISK/Serpent’s Tail. His impressive client roster in the music, fashion, entertainment, and design industries, includes David Bowie, The Residents, Bill Graham Presents, DreamWorks, Levis, Neiman Marcus, Sony Music, Warner Brothers, and Apple. Rex Ray designs have been licensed and produced as distinctive imagery on scarves, carpets, ceramics, wristwatches, surfboards, and even on a Mini Cooper. During his lifetime Rex Ray generated a prolific body of painting and works on paper. His technique involved a complicated process that combined Xerography, handmade woodblock prints, newsprint, and magazine images into vibrant color schemes with parabolic forms and abstract patterns. His works reference mid-century modernism, Dada, decorative arts, Fluxus, and Pop Art.




Hand lettering inspiration of the week… Anna Tou
Anna Tou is a classically trained designer, creative leader and strategic marketing thinker with a proven track record in building brands and leading diverse projects across advertising, digital experiences, identity, brand strategy, packaging, marketing promotions, social channels, and more.




Posted on May 5, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“Your heart knows the way, run in that direction.”
-Rumi
Inspirational Artist of the week… Beatriz Milhazes
Beatriz Milhazes (born 1960) is a Brazilian artist. She is known for her work juxtaposing Brazilian cultural imagery and references to western Modernist painting. Milhazes is a Brazilian-born collage artist and painter known for her large-scale works and vibrant colors. She has been called “Brazil’s most successful contemporary painter.”
Beatriz Milhazes’s practice includes painting, drawing and collage. Characterized by vibrant colours, optical movement and energetic visual cadences, her abstract work fuses a diverse repertoire of images and forms, combining elements from her native Brazilian context with European abstraction.
As a painter, Beatriz Milhazes uses a unique transfer technique, first painting on plastic sheets before peeling away the dried shapes and collaging them onto the canvas. When she peels the plastic away, the resulting image is superimposed onto the canvas. For these paintings, as well as her collages, prints, and installations, Milhazes draws on a wide range of aesthetic traditions, including folk and decorative art, European modernism, and Antropofagia, a movement founded in the late 1920s that proposed “cannibalizing” the supposedly high-minded European traditions to create a distinctly Brazilian Culture.




Handlettering inspiration of the week… Stefani Pedruzzi
Italian lettering artist Stefano Pedruzzi was born in Bergamo, and he used the walls of his hometown as canvases for his early artistic experiments.
Beginning with graffiti at 13, he quickly learned valuable lessons in design, proportion, and the importance of manual skill. After earning a degree in Communication Design from the Politecnico di Milano, Stefano continued to explore and experiment with letters, applying his art across a wide range of surfaces and contexts, from hand lettering to the digital world and even skin, with the art of tattooing.
He has recently published a book, Don’t Underestimate the Power of Letters, which is the culmination of his artistic journey. The book serves as an indispensable guide for anyone fascinated by the world of lettering.






Posted on April 28, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
You’ll never get anywhere if you go about what-iffing like that.’ – Charlie and the Great Glass Elevator
-Roald Dahl
Inspirational artist of the week…Cornelia O’Donovan
Cornelia O’Donovan was born in 1981, and trained at the Royal College of Art, London.
O’Donovan plays with old folklore and poetry, but in a loose and dreamlike way. She draws particularly on tales native to the British Isles, and especially Celtic poetry and myth – from the tale of Prince Llewellyn’s grief at the sacrifice of his greyhound Gellert, to the figurative ballads of Ellen O’Leary and lines from WB Yeats.
She has designed ceramics for Anthropologie in the past. Her paintings are flat, stripped of all perspective or realism, their surfaces hazy and meandering like an old tale retold a thousand times. Roughly rendered yet delicately arranged, she creates patterned compositions reminiscent of old tapestries, into which she plants naïve pre-Modern motifs. Outlines of old figures, ancient heralds, esoteric herbs and familiar animals all appear like inherited objects worn smooth by the touch of innumerable hands.
They retain the homespun quality of medieval rustic artworks, flowing across the canvas like a stroll through a country garden.






Hand lettering inspiration of the week: Deloss McGraw
DeLoss McGraw is an American artist known for his whimsical gouache paintings. Inspired by his own poetry as well as poems by W.D. Snodgrass, McGraw’s dreamlike works are often reminiscent of paintings by Paul Klee. Klee like McGraw, was inspired by the works of folk artists and children. Born in 1945 in Okemah, OK, he went on study at the Otis Art Institute in Los Angeles and received his MFA from the Cranbrook Academy of Art in 1973. McGraw lives and works between Los Angeles, CA and Okemah, OK. Today, his works are in the collections of The Metropolitan Museum of Art in New York, the Cranbrook Museum of Art in Bloomfield Hills, MI, and the Library of Congress in Washington, D.C., among others.



Posted on April 21, 2025
We LOVE research and learning as a way to get inspired and boost ideas and creativity!! So, Kenzie and I are going to be sharing the inspiration that we collect here in our second newsletter…. once a week!!!
Here’s how it works:
We provide the inspiration. You interpret it however you wish… any medium, any size. It is meant to inspire lettering and floral art combined together. But, you can:
Hope you will create with us and post your work at #wordsandwildflowers2024 and tag @lorisiebert.studio and @snippetsofwhimsy
Quote of the week…
“You don’t have to see the whole staircase, just take the first step.”
– Martin Luther King, Jr.
Inspirational Artist of the week…William Frend De Morgan
William Frend De Morgan (16 November 1839 – 15 January 1917) was an English potter, tile designer and novelist. A lifelong friend of William Morris, he designed tiles, stained glass and furniture for Morris & Co. from 1863 to 1872. His tiles often recall medieval or Islamic design patterns. He applied innovative glazes and firing techniques. Galleons and fish were common motifs, as were “fantastical” birds and animals. Many of De Morgan’s tiles were designed to create intricate patterns when several were laid together.






Lettering inspiration of the week… Louise Fili
Louise Fili (born April 12, 1951) is an American graphic designer and artist known for her use of typography. Her work incorporates elements of modernism and European Art Deco, combining historical typography with contemporary design approaches. Fili designed nearly 2,000 book jackets while working at Random House. Since establishing her design studio, she has shifted her focus towards restaurant identity, food-related logos, and packaging. Fili currently teaches at the School of Visual Arts in New York City and has previously taught at The New School, New York University, and Cooper Union.






